Tuesday, 13 June 2017

Vladimir Propp (Applied to AS Level opening sequence)

APPLYING PROPP

My AS film was a hybrid of a horror, thriller and post - apocalyptic. The plot of my film is that the world has fallen into a state of decay and it appears that our protagonist is the only human alive on earth. Our protagonist has a background of mystery and awakens in a prison jumpsuit having lost all knowledge of his former self and what has become of the world. Throughout the film the protagonist tries to find answers whilst trying to survive in the treacherous, disease ravaged, dystopian nightmare of which he has awoken to.

The film was told in a linear fashion with the opening sequence being used to set the mood/tone of the movie by inducing a sense of fear and vulnerability to the main character in order to create a larger character arc showing the audience how far the protagonist/ hero has progressed throughout the movie.

Propp suggests narrative is driven by eight characters such as the hero, the villain, the prize/princess etc.  In my film the hero is Mike and he is clearly shown as this by means of screen time and POV shots. This allows the audience to sympathise with him and fear for his safety. He is also shown to be athletic which is often a trait of heroes as he is shown sprinting away from the sinister being through the use of a long shot.

Similarly my opening sequence also introduces the villain which is done by means of soundtrack using a gradual increase in the volume of the music slowly increasing the tension and subliminally telling the audience who the villain is.  The villain was also established through the use of jump scares and fast paced editing when the protagonist was in danger as the unknown sinister creature pursued him.

 After analysing many of Russia’s folk tales Propp identified common themes and 31 common elements which form the structure of stories.  My film opening introduces the plot and as such it meets Propp’s delivery code.  It does this as the villain seeks and receives the information of the whereabouts of the hero and attempts to track down the protagonist.

Vladimir Propp

Narrative is how stories are told.

In the linear and non linear ways
linear - Chronological
Non - linear - Flashbacks

Vladimir Propp:
Studied folk tales and proposed theories (31 functions & 8 character roles)


8 character roles:

Hero: Seeks something
Villain: Opposes the hero
Donor: Helps the hero, magical object
Dispatcher: Sends the hero on his/her way


False hero: Falsely assumes the role of a hero
Helper: Gives support to help the hero
Princess: The reward for the hero
Princess' father

A modern day example of this is Shrek:

Shrek
Lord Farquad

Fairy tale creatures that take over Shrek's house
Robin Hood
Donkey
Fiona
Fiona's father (Shrek 2)

Friday, 24 February 2017

Beasts of No Nation

Beasts of No Nation
(2015)
Independent Film
Production Companies: Princess Grace Foundation, Red Crown Productions, Participant media
Budget: £6,000,000 (estimated)
Niche audience
Released simultaneously in 29 theatres (limited release) as well as globally on Netflix
Starred Idris Elba
Netflix bought the worldwide distribution rights for £12,000,000
Premiered October 16th on Netflix
Adapted from a novel
Was advertised on billboards

 

Tuesday, 10 January 2017

Doc Martin: Regional Analysis

Camera:

High Angle - when Doc martin leaves the room. This indicates the way Doc Martin was speaking down to the two Cornish plumbers.

Fast paced editing - Symbolises Doc Martin's frantic state representing him as out of place and uncomfortable in the situation he is in.


Sound:
Dialogue - "You need to eat" represents Cornish people as caring.
"No charge" This piece of dialogue represents the different attitudes of Londoners and Cornish people.
(Plummer)"Go with the flow" This represents the laid back attitude of the Cornish.
(Yong plumber) "Dad, not that one!" This represents the younger generation of Cornish people as more intelligent than the elderly.
Soundtrack: Comedic music used in order to represent how Doc Martin is out of place.
Soundbridge - A soundbridge is used before Doc Martin enters the police department whilst dropping off a dog. He encounters a police officer hoovering the department floor. This represents the police force of Cornwall as unoccupied, and quiet.


Mise en Scene:
Body language - (Doc Martin) has his arms folded standing above the two Cornish plumbers. His body language suggests that he is uptight and serious.
Facial Expression: The two plumbers are smiling & laughing whilst attempting to fix Doc Martins sink. This highlights the laid - back humorous attitude of the Cornish people.
Doc Martin's facial expression shows that he is surprised at the leniency of the older Cornish plumber after he states that the plumbing job is "no charge".
Costume: The older plumber is shown wearing a beanie had throughout the extract which is a stereotypical image of the Cornish community.
Props - Whilst fixing Doc Martin's sink the two plumbers appear to be enjoying tea & biscuits outlining the lazy and sociable mannerisms which have been represented so far from the extract.


Editing:
Reaction Shot - A reaction shot is used which shows Doc Martins surprise when the plumber tells the Doc that the plumbing job would be "no charge"
Shot-reverse-shot: A shot-reverse-shot is used in order to represent the conflicting attitudes of the two separate ways of life. One being Doc Martins uptight, frantic way of living and the other being the plumbers laid-back, incompetent lifestyle.
Eye-line match: An eye-line match is used before Doc Martin approaches the breaching dog. The eye-line match indicates the way the Doc systematically approaches problems as he looks for the cause of the havoc he has found himself in and confronts the problem. The Cornish people on the other hand however, do not see any cause for the Doc to be frantic. Almost as if the Cornish community are used to dogs invading their homes. They all stay calm and have a laugh whereas Doc Martin is running around in panic whilst ordering people about.